Category: EXHIBITION

  • Shuang Li: Alliance

    Shuang Li: Alliance

    This newly commissioned video installation explores storm chasing, a phenomenon rooted in the American landscape yet increasingly witnessed globally through livestreaming and new media platforms. An exploration of Li’s encounter with accelerated digital flows, extreme weather systems, and the erosion of boundaries between physical and virtual life, the work repositions storm chasing from its North American origins as a universal metaphor for navigating the spiralling forces, namely algorithmic media and the commodification of lived experience, that shape contemporary life across borders.

    Shuang Li, Alliance, 2026, installation view. Courtesy the artist and Kim Association. Photo: Chia Wei Ling

    Pirated media shaped the artist’s early worldview—knockoff Nintendo, bootleg CDs, and the Myspace and YouTube culture of the pre-Great Firewall Chinese internet in the early 2000s, through which she absorbed geography, popular culture, and English (most notably from My Chemical Romance). These channels became her primary lens onto the world from her teenage home in the Wuyi Mountains, forging a personal perspective rooted in navigating fluid borders.

    The exhibition and video installation share the title Alliance, after the Nebraska town Li passed through during her storm-chasing journey, where the entire town is essentially a train yard. Drawing from her ongoing fascination with non-spaces as existential conditions rather than physical locales, the installation—developed with architect Luis Ortega Govela of Office LOG—evokes the experience of being aboard a high-speed train in China, where one feels the tension and sensation of being perfectly still while hurtling forward, mirroring our highly mediated reality where one can anonymously witness distant disasters in real time from home.

    In Singapore, a city known for its highly optimized infrastructure, climate mitigation, and seamless financial systems, these themes take on particular resonance. Beneath the efficiency of these circulatory flows lie the same tensions, the commission addresses environmental precarity and the constant velocity of digital life. Embodying a transnational perspective shaped by her own trajectory between Asia and Europe, Li invites audiences to recognize that feeling of being in-between, inhabiting non-spaces that are at once familiar and anonymous. In seeking ruptures within borderless systems of control, Alliance probes what forms of presence remain possible within increasingly mediated realities.

    Shuang Li, Alliance, 2026, trailer. Courtesy the artist and Antenna Space, Shanghai.

    Alliance (2026) is commissioned by Kunsthalle Basel in partnership with Yenn and Alan Lo Foundation, on the occasion of Shuang Li’s solo exhibition at Kunsthalle Basel this June.

    Courtesy the artist and Callie’s, Berlin.

    About Shuang Li

    Shuang Li (b. 1990 in Wuyi Mountains, CN) lives and works in Berlin, DE and Wuyi, CN. She received her MA in media studies from New York University in 2014. Situated in globalized communication systems and inspired by various localities and uneven information flows, Li’s work, which encompasses performance, interactive websites, sculpture and moving image installations, studies various mediums that compose the contemporary digital landscape, the material lives that support it, and more importantly, the cracks in between.

    Recent solo exhibitions include I’m Not, Aspen Art Museum, Aspen (2024); Distance of the Moon, Prada Rong Zhai, Shanghai (2024); I’m Not, Swiss Institute, New York (2024); Cherish, Geneva (2021); and Callie’s, Berlin (2020). Her first solo institutional exhibition in Europe will take place next June at Kunsthalle Basel.

    Her work has been featured in a number of biennials, including the recent 2024 Whitney Biennial at the Whitney Museum of American Art, New York (2024); Biennale de l’Image en Mouvement 2024, Centre d’Art Contemporain Genève, Switzerland (2024); the 2023 Kunsthal Charlottenborg Biennale, Copenhagen; and the 59th International Art Exhibition of La Biennale di Venezia (2022). Li has also collaborated with Miuccia Prada with a special project for Miu Miu Spring/Summer 2023 fashion show.

    ACKNOWLEDGEMENTS

    SPECIAL THANKS TO

    Mrs. Wong Pik Ching
    Ms. Lynn Yeow

    A PART OF

  • Puppies Puppies (Jade Guanaro Kuriki-Olivo): Indigenous Power (Ancestral Wisdom)

    Puppies Puppies (Jade Guanaro Kuriki-Olivo): Indigenous Power (Ancestral Wisdom)

    Widely recognised by her pseudonym Puppies Puppies, Kuriki-Olivo’s artistic practice explores the meaning of individual existence through an autobiographical lens, navigating the intersections of art, life, and mortality. In 2010, she underwent surgery to remove a life-threatening brain tumor, a pivotal experience that profoundly shapes her art. Through her works authored under her moniker “Puppies Puppies” to recent works emerging from her identity as Kuriki-Olivo, she delves into themes of identity, visibility, and personal history. In her practice, the Japanese and Puerto Rican (Taino) artist often incorporates elements tied to her transnational heritage, everyday detritus, as well as her experience with the malignant tumor and its aftermath. 

    The exhibition, first presented in Los Angeles in 2022, delves into Kuriki-Olivo’s transnational background, with a particular emphasis on her Puerto Rican (Taino) ancestry. Through installations featuring earth, offerings, stones, and natural sounds, her work channels the spiritual and shamanistic traditions of her Taino island heritage. Everyday objects, intertwined with relics of her personal history, evoke her rich lived experiences while poetically honouring her own father, and those—from marginalized Indigenous, racialized, and trans communities, to which she belongs—who have historically endured and continue to face violence and oppression to this day.

    Kuriki-Olivo considers daily life as an endurance act, especially for those whose survival is at stake, often blurring the boundaries between private and public realms in her practice. Her performance and installations incorporate consumer readymades and actions to explore their imbued emotional resonances and power relations. Noteworthy examples include inhabiting a replica of her actual bedroom in the lobby gallery of the New Museum in 2024, staging a grass-lined installation that served as a grave for her deadname in 2018, and crafting a pair of green synchronized clocks as an homage to Felix Gonzales-Torres in 2017. Kuriki-Olivo’s art underscores the universal human need for connection and care as fundamental to survival, even in a world marked by inequities and differences.

    The Red Hand Over The Mouth (Right And Left Hand) • An Indigenous Sign Of Protest • This Piece Is Dedicated To My Chosen Indigenous Sister Alethia Rael • My Hands Were Outlined For This Work • Installed At The Height Of My Mouth***, 2022, Neon Hands (pair)

    Puppies Puppies
    (Jade Guanaro Kuriki-Olivo)

    Untitled, 2022, Taxidermy bird

    Puppies Puppies
    (Jade Guanaro Kuriki-Olivo)

    About Puppies Puppies (Jade Guanaro Kuriki-Olivo)

    Puppies Puppies (Jade Guanaro Kuriki-Olivo) lives and works in New York. She is the recent recipient of Toby’s Award, given every two years by the Museum of Contemporary Art in Cleveland, Ohio. Recent solo exhibitions include BODY FLUID: BLOOD, Remai Modern, Sakatoon, Canada; PLAGUE, Halle für Kunst, Luneberg, Germany; Anxiety, Depression & Triggers, Balice Hertling, Paris, France; Executive Order 9066 (Soul Consoling Tower), Queer Thoughts, New York; Una Mujer Fantástica (A Fantastic Woman), Galerie Barbara Weiss, Berlin, Germany; Andrew D. Olivo 6.7.89-6.7.18, What Pipeline, Detroit, Michigan; Puppies Puppies, XYZ Collective, Tokyo. Her work was featured in the 2017 Whitney Biennial, the 9th Berlin Biennale, and X Nicaraguan Biennale.

    SPECIAL THANKS TO

    Mrs. Wong Pik Ching
    Ms. Lynn Yeow

    VENUE PARTNERS

    SUPPORTED BY

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    Revolt of the Body: Keynote by Puppies Puppies (Jade Guanaro Kuriki-Olivo)